World’s End, King’s Head Review: ‘A beautiful love story World’s End. Set to a backdrop of Legend of Zelda and the war in Kosovo’
Closing the popular queer season at the King’s Head theatre in Islington is LGBT love story set to a backdrop …
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EDINBURGH EDITION – Day five (24 August)
The Claim, Summerhall – Roundabout As part of the British Council Showcase 2019, Tim Cowbury has written a piece that is deliberately fraught …
EDINBURGH EDITION – Day four (23 August)
Love (Watching Madness), Pleasance Courtyard There are quite a few shows about maternal relationships at the Fringe this year, many …
EDINBURGH EDITION – Day Two (22 August)
Birth – Pleasance Courtyard A beautiful contemporary dance piece about miscarriage which with deft simplicity spans three generations of family …
EDINBURGH EDITION – Day one (21 August)
I am very late to the Fringe this year. I usually go early early, when the 2for1s are still going …
Dark Sublime, Trafalgar Studios – ‘Marina Sirtis is beautifully nuanced in portrayal of a fading soap star’
Dark Sublime’, the title of which takes a line from the W.H. Auden poem ‘The More Loving One’ is about …
Custody, Ovalhouse – review: ‘This play is as much about the repercussions of grief as it is about racial injustice.’
This is a tightly-focused, searing performance about how death in custody has a ripple effect for the deceased family that …
Sarah Kosar’s Armadillo at The Yard Theatre: ‘Compelling story of abuse, trauma – and guns’
Sarah Kosar’s last play, Mumburger was about a family whose mother’s last wish when she died was for them to …
Rejoicing at Her Wondrous Vulva The Young Woman Applauded Herself, Ovalhouse – review: ‘A brave and beautiful show’
After her Edinburgh and Vault Festival hit ‘My World Has Exploded A Little Bit’, Bella Heesom’s second play is an …
Fuck You Pay Me: ‘ A showcase celebration of strippers in all their glory’
Mother. Virgin. Whore – the modern sex worker has to be a lot of things to a lot of people. …